![]() The app will determine the length for you.Ģ. The plan is for a future version to give you the ability to enter length in SMPTE (hr:min:sec:fr) format. Type in the length (in total samples or total frames) of the off-speed audio that you have now. This is not just a frame converter, it takes into account the difference in speed between NTSC & PAL. ![]() Press this button to display the equivalent timecodes for the other 3 frame rates. Nudge "+/-" buttons are also provided in case you want to check the progression of frames in a certain range. A backspace "<" button is also provided to replace just the last entry. A "C" Clear button is provided to remove the current entry and enter all "0's". Use the number buttons to enter the timecode you need converted. Logos/bars/black may prohibit two different tapes from being compared together exactly based on the same even starting hour. The plan is for a future version to give the option of entering a complete SMPTE timecode hr:min:sec:fr as your program start time. This app allows you to enter hours 0-23 as the place where your program material begins. Other similar apps/programs only begin with hour 0 and you have to offset your entry to match. ![]() This hour is used to measure the distance/time into your program based on the timecode you enter. The app defaults to Hour 1 (which is the starting timecode for most feature video tapes/files). The other three equivalents will be displayed below. Video editors can keep proper cadence as Timecode Tool displays the location of A-Frames that occur during each minute of interlaced video based on a given start-time.įuture versions of Timecode Tool will include a timecode calculator and, if requested, 35/16mm film footages.Īlthough this app converts between 23.98, DF, NDF, & PAL timecodes, you will need to select one as your source. After entering that file's current length, target length, and current sample rate, a simple math calculation is performed and the user is provided with the numbers necessary to import that file at a custom rate where it should stay in proper sync. Example: you may have an audio file that is 20 frames shorter than it is supposed to be. Both the difference in percentage and the correct sample rate necessary to vari-speed (VSO) when importing/exporting are provided. The hope is that you are using a software program that allows you to convert your audio by entering a specific sample rate ("Import Audio"). ![]() The second feature of Timecode Tool helps the user vari-speed audio that is currently running at the wrong speed. (A future version may allow the user to select a specific "non-even hour" timecode if there are enough requests) It has a default value of 1 Hour as the starting time of your program material but the other 23 even hours can be selected if necessary. ![]() How do you find the same spot in the NTSC version? Timecode Tool will easily allow you to enter the PAL timecode of 2:14:30:23 and will return to you the equivalent 23.98, DF, and NDF timecodes. Perhaps you are performing a QC pass on a PAL version of a feature film and find an issue at 2:14:30:23. PAL video runs at a faster speed than NTSC and consequently causes issues when trying to find the same spot in a feature film between those standards. The primary feature gives the user the ability to convert between 23.98, DF, NDF and PAL timecodes. ![]()
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